TV Review: Dollhouse

Sunday, February 15th, 2009

“Nothing is what it appears to be.”

If you’re a Whedonite, you’ve been anticipating Friday the 13th, 2009 for some time now. And now it has finally come: Dollhouse and Joss Whedon’s return to television.

Let me preface by saying I have done everything I could to remain spoiler-free for the premiere. I refused to read reviews, stopped visiting Whedonesque.com, and did my best to skim over Tweets from those who got an advanced look at the episode. I wanted to go in with a clean slate. And as Echo says in the first few minutes of the episode, “You ever actually try to clean a slate? You always see what was on it before.”

That being said, I am not going to compare Dollhouse’s first episode, “Ghost” to any of Joss’ other works. It’s too early to do that, and I honestly don’t think it is fair. Echo is not Faith, The Dollhouse is not Wolfram & Hart, and Topher is definitely no Wash, regardless to their outward traits.

“Ghost” gives the viewer a lot of information in one hour of television (which is helped immensely by Fox’s “More Tv. Less Commercials.” push – Thank you Fox!). On the surface we see The Dollhouse, an illegal private organization that imprints personalities on their “actives” to suit their wealthy client’s needs. The actives are volunteers who have signed on to get a new start at life. They have a 5 year contract, which after they fulfill, they are supposedly free to go, we can assume, wiped clean of all memories of the Dollhouse. Which on the surface, is a relatively simple premise that could give the show a decent season or two of television. But of course, this is Joss Whedon: nothing is ever simple.
Echo in the Chair with Topher and Boyd
In the beginning we see Caroline (Eliza Dushku), who hardly seems  a volunteer. Rather, she seems coerced into signing her 5 year contract. She is transformed into Echo, an almost innocent and child-like soul. When she happens to witness a new active, Sierra (Dichen Lachman), being wiped clean of her former “self,” she almost confusingly looks to Topher (Fran Kranz), the chief mind-wiping tech of the Dollhouse, and says, “She hurts.” The way Topher responds to her is almost as he would a child.

We learn through Agent Paul Ballard (Tamoh Penikett), who has been assigned to the mysterious Dollhouse case for 14 months, that the clientele of the organization include princes and senators, and that the Dollhouse has ties to a Russian human trafficking ring.  His supervisors try to get him under control on a case they think is a “fairytale.” But we also learn that he doesn’t back down very easily.

There is also a rogue active, Alpha, who is threatening to bring down the Dollhouse and its incredibly questionable activities which include not only imprinting people with personalities from real people right for the mission, but the physical limitations that can inevitably come with “real people” (near-sightedness, asthma, etc.).

So there is definitely a great set up for much intrigue and drama amidst the weekly assignments Echo will be sent on.

My biggest concern going into the show was Eliza Dushku. I was never a huge fan of Faith, and the other movies I’ve seen her in, her characters have never seemed to have much depth. So I wondered, can she really pull off being that many different people?
Dushku as Miss Penn
After the first episode: I am hopeful. Dushku transitions from desperate Caroline, to a fun-loving party girl, to the kidnap expert with a troubled past Eleanor Penn, and to innocent Echo very believably. The most haunting scene of the episode is as Miss Penn carries the kidnapped child, Devina, away from her hostages telling her over and over, “You’re free.” The scene changes and fades to Echo peacefully walking away from the mind-wiping chair, once again innocent and free from the burdens she had just faced.

I have heard overall mixed reviews of the show so far and of course everyone is entitled to their opinion. My biggest hope is that viewers will stay tuned to see where the show will lead, because one thing is for certain: Joss will never leave things on the surface. He’ll dig deep into the emotions of the characters and of the themes of the show and leave the viewers with more questions than answers – as good television should do. So long as we start getting answers before too long, this show has the potential for greatness. And that is what I always look for in the shows that I watch: not only what the episode itself said, but what the potential for the upcoming episodes could offer. Like Battlestar Galactica, the fun in watching is the speculation. This show could very well fill that looming gap.

Because in the Dollhouse, as its owner says in the very first line of the series, “Nothing is what it appears to be.”

Posted By:

  1. funnywaist
    February 15, 2009 at 12:39 pm
  2. thegr8merlyn
    February 15, 2009 at 12:40 pm
  3. NJBEAR
    February 15, 2009 at 1:25 pm
    • WonderJenn
      February 15, 2009 at 1:29 pm
  4. Heidi
    February 15, 2009 at 1:54 pm
  5. Andy DeJoseph
    February 15, 2009 at 4:35 pm
  6. February 15, 2009 at 7:46 pm
  7. February 15, 2009 at 7:59 pm
  8. MtnMeister
    February 15, 2009 at 9:49 pm
    • February 16, 2009 at 8:28 am
  9. February 16, 2009 at 2:19 am
  10. Prettz
    February 16, 2009 at 2:30 am
  11. Kingquat
    February 16, 2009 at 2:36 am
  12. RickyC
    February 16, 2009 at 1:36 pm
    • Inigo Montoya
      February 16, 2009 at 5:54 pm
      • RickyC
        February 17, 2009 at 2:40 am
  13. Carl
    February 18, 2009 at 2:27 am
  14. Hayden Jones
    February 18, 2009 at 8:03 am

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